Monday, April 25, 2016

2016 Christmas Card: Third State

After 4 more layers the painting is now dominated by red-violet lavender instead of orange, though that is still prominent. The four layers are the following; 1) ultraviolet light resistant varnish, 2) laminated images, 3) wax, 4) lavender paint. After those 4 layers I subjected the paint to scraping, with various instruments, and finally sprayed lightly with fixative.* I have laminated a smaller image of the Madonna and Child by Ambrogio Bergognone (known as Borgognone) over the first, as I shall do again for the Forth State in an attempt to telescope that image. I don't know if that technique will work because the mixed media distressed process may cover all but the final image completely. But, then again, it may not. That is what makes working with this technique so much fun. It creates its own mystery and history. It is like an archeological dig of an ancient historical sight in reverse, each layer of detritus reveals and/or obscures various epochs. However, instead of cutting back through the ground, I'm building it one layer at a time.


*Laminate - to fasten two flat surfaces together with a continuous layer of mastic or glue.
  fixative - varnish, usually aerosolized.

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