Monday, August 22, 2016

Ten Days Progress on the Harrison Ford Portrait



I am working hard-edged opaque passages of paint against soft edged blended opaque passages both of which are interspersed with transparent passages. Interestingly, there are sections of hard-edged passages in which I'm creating the appearance of transparencies. All of that marks a departure from the way I've worked on these over sized iconic portraits in the past. Because of this complex technique the work is slow, but I'm enjoying it tremendously.

Thursday, August 11, 2016

Over Sized Harrison Ford Portrait For Characters Restaurant


Finally, we’ve landed in Rehoboth Beach longer than a week, and I’ve had time to work. I’ve played with Adobe Photoshop - inverted, colorized, reversed, polarized, cropped, tilted, turned, stylized, cropped, painted, transformed and combined the many images I found of Harrison Ford. The final manqué has been put on a grid and printed out in sections. I also made a grid on the 3 x 4 ft canvas and finished transferring the smaller image onto the larger canvas with pencil. I’ve mixed many of the main colors, and I’ve begun painting. I am also experimenting with a different technique for this portrait. All the other over sized portraits at Windows on Queen were done with distinct hard-edged patches of color. This time I will mix passages of blended color with the usual hard-edged color, and I hope I can make the two of these work together stylistically.

Thursday, June 9, 2016

Sixth State: Five More Layers on This Years Distressed Painting Mixed Media Christmas Card



I continue to write about the many steps involved in creating our 2016 Christmas Card. It is a process that I return to over time as I also work on other art projects.

Just five layers to go and the painting will be done! However, I’ve several other projects in progress so will not return to the card until August. It should be done toward the end of that month.  The final steps will include; 1) decide which portion of the painting will be photographed for the actual card, 2) Photograph and crop the image, 3)  the card design (inside and outside) created and sent off to the printer.  Unlike my usual mad rush to finish, this card should be done well before mailing time for the holidays.

Friday, May 13, 2016

2016 Christmas Card: 5th State

I continue to write about the many steps involved in creating our 2016 Christmas Card. It is a process that I return to over time as I also work on other art projects.



After I scraped through the blue layer of tempera it was necessary to spray the artwork with several light coats of pastel fixative so that a coat of water based UV proof varnish could be applied without lifting the tempera paint. Once that layer was dry I made a 10 by 10 inch print of the digital photo I had taken of the mixed media distressed painting in its 3rd state. I tore that print in pieces and laminated some of those over top of the artwork.* Another coat of UV proof varnish was applied, and once that had dried I took photographs again.

I have at least 9 more layers to do before I can call the painting finished, so please stay tuned for the 6th  and 7th state of our 2016 Christmas Card.

*laminate – to glue two flat surfaces together using a continuous layer of adhesive

Friday, May 6, 2016

2016 Christmas Card: 4th State


Doing the following created the 4th state:

1. spray the painting with several light coats of pastel fixative
2. a coat of water based varnish was brushed over the latest layer of tempera paint
3. cover the painting heavily with oil crayon and rub it with an eraser
4. apply a new coat of light pthalo-blue tempera paint
5. scrape through the new layer of tempera paint after it was dry.

Stay tuned for the 5th state of our new Christmas Card

Monday, April 25, 2016

2016 Christmas Card: Third State


After 4 more layers the painting is now dominated by red-violet lavender instead of orange, though that is still prominent. The four layers are the following; 1) ultraviolet light resistant varnish, 2) laminated images, 3) wax, 4) lavender paint. After those 4 layers I subjected the paint to scraping, with various instruments, and finally sprayed lightly with fixative.* I have laminated a smaller image of the Madonna and Child by Ambrogio Bergognone (known as Borgognone) over the first, as I shall do again for the Forth State in an attempt to telescope that image. I don't know if that technique will work because the mixed media distressed process may cover all but the final image completely. But, then again, it may not. That is what makes working with this technique so much fun. It creates its own mystery and history. It is like an archeological dig of an ancient historical sight in reverse, each layer of detritus reveals and/or obscures various epochs. However, instead of cutting back through the ground, I'm building it one layer at a time.

notes

*Laminate - to fasten two flat surfaces together with a continuous layer of mastic or glue.
  fixative - varnish, usually aerosolized.

Tuesday, April 19, 2016

2016 Christmas Card: 2nd State



I promised to post the artwork as it progresses. Here is the panel with 4 more layers. It is now predominantly orange, but that will change. I know I want to telescope the Madonna and Child by Ambrogio Bergognone (known as Borgognone) so that the final image appears to be moving forward, however slightly that might be. Because the larger images will be buried in layers of paint, my desires for the painting may be lost in the process. As we must relinquish complete control over our lives more often than we would wish, so the mixed media distressed painting process mimics life.

The next time I post an image of the artwork it will include the following; 1) this digital photo will have been printed at the exact size of the painting/collage, 2) it will have been torn to pieces randomly, and some of these will have been laminated back into the painting either before or after l include a smaller image of the Bergognone, 3) Then the whole will possibly be covered in a shade of muted green, though I’m not sure about that color yet.* I haven’t thought beyond that state, and will not until the actual physical object has caught up to my imaginings. Ah, the mystery of it all is so much fun!

Note

* laminate - in collage/montage, a layer of glue is spread on the artwork itself and another on the back of the torn/cut paper to be glued in place. the new piece is carefully smoothed into place, rubbing from the center to the edges in order to remove trapped air.