I am working hard-edged opaque passages of paint against soft edged blended opaque passages both of which are interspersed with transparent passages. Interestingly, there are sections of hard-edged passages in which I'm creating the appearance of transparencies. All of that marks a departure from the way I've worked on these over sized iconic portraits in the past. Because of this complex technique the work is slow, but I'm enjoying it tremendously.
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